ScriptViz · shared breakdown

TWO MINUTES

Eleventh Draft · broken down by the tool · shared by Shamus Greene

🔒 This is the breakdown, not the script. The tool analyzed the screenplay on the writer's own device — scene structure, locations, characters, and requirements travel; the pages never do.
119
SCENES
82
LOCATIONS
46
CHARACTERS
PRINCIPALS: JIMMY (47) · STEVE (34) · ALEX (31) · ANTHONY (21) · RILEY (20) · MARCO (14) · JACK WILDER (11) · TRACK ANNOUNCER (11) · IRELAND (5) · TEDDY (5)

By location — 82 places, ranked by scenes served

5THE HITCHING POST
bardoorentranceexitphonewindow
WITH: ALEX · FADE TO BLACK. · JACK WILDER · JIMMY · KEVIN · RILEY
SCENES: 9, 105, 106, 108, 109
5STEVE'S RENTAL PROPERTY
crowd/extrasdoorentranceexitphonetablevehicle
WITH: ALEX · ANNOUNCER · ANTHONY · EVERYONE · JIMMY · MARCO
SCENES: 15, 39, 40, 41, 46
4BARDSTOWN ROAD
crowd/extrasdoorphonevehiclewindow
WITH: ALEX · ANTHONY · FESTIVAL WORKER · FOREMAN · JIMMY · MARCO
SCENES: 10, 25, 29, 31
4LOUISVILLE BANK AND TRUST CO. - BARDSTOWN ROAD
exitphonevehiclewindow
WITH: ALEX · ANTHONY · JIMMY · MARCO · RILEY · STEVE
SCENES: 16, 17, 19, 22
4CHURCHILL DOWNS - LOWER LEVEL CORRIDOR
no flags
WITH: BYSTANDER · JIMMY · STEVE
SCENES: 92, 96, 99, 102
3JIMMY'S APARTMENT
exittable
WITH: JIMMY · RILEY · STEVE
SCENES: 4, 12, 13
3VOLARE RESTAURANT
barphonetablewindow
WITH: IRELAND · JACK WILDER · JIMMY · SHAMUS · WAITER
SCENES: 6, 7, 117
3JIMMY'S CAR
doorexitphonesightlinevehicle
WITH: ALEX · ANTHONY · JIMMY · RILEY · STEVE
SCENES: 14, 24, 33
3CATERING VAN
doorvehicle
WITH: JIMMY · STEVE
SCENES: 23, 28, 32
3LOUISVILLE BANK AND TRUST CO.
crowd/extrasdoorvehiclewindow
WITH: ALEX · FOREMAN · JIMMY · STEVE
SCENES: 26, 27, 30
3CHURCHILL DOWNS - INFIELD
crowd/extras
WITH: ALEX · CRYSTAL · TEDDY
SCENES: 70, 94, 114
3CHURCHILL DOWNS - SECURITY STATION
no flags
WITH: ALEX · STEVE
SCENES: 83, 88, 98
2BARNSTABLE BROWN MANSION
barcrowd/extrasdoorentrancetablevehicle
WITH: JIMMY · RILEY · STEVE
SCENES: 49, 50
2BARNSTABLE BROWN MANSION - MAIN ROOM
barcrowd/extrasdoor
WITH: ASHFORD · CLIENT · JIMMY · STEVE · VICTOR · WOMAN IN CROWD
SCENES: 51, 54
2CHURCHILL DOWNS - MILLIONAIRE'S ROW
doorexittable
WITH: JACK · JIMMY · OLDER WOMAN · RILEY
SCENES: 72, 104
2CHURCHILL DOWNS - LOWER LEVEL
crowd/extrasdoorexittablewindow
WITH: ALEX · JIMMY · MARCO · RILEY · STEVE · TRACK ANNOUNCER
SCENES: 76, 90
2CHURCHILL DOWNS - VAULT
doortablevehicle
WITH: ALEX · MARCO
SCENES: 82, 85
2CHURCHILL DOWNS - HORSE TUNNEL ENTRANCE
stairs
WITH: JIMMY
SCENES: 86, 89
1CHURCHILL DOWNS - ARCHIVAL FOOTAGE - VARIOUS YEARS
archival — no location build
WITH: JACK WILDER
SCENES: 1
1LOUISVILLE, KENTUCKY - DERBY FESTIVAL - VARIOUS DAYS
montagevehiclewindow
WITH: JACK WILDER
SCENES: 2
1CHURCHILL DOWNS - RACE DAY - ARCHIVAL FOOTAGE
archival — no location buildwindow
WITH: JACK WILDER
SCENES: 3
1APARTMENT BUILDING - HALLWAY
door
WITH: GARRETT
SCENES: 5
1VOLARE RESTAURANT - PARKING LOT
vehicle
WITH: IRELAND · JIMMY
SCENES: 8
1CHOW WAGON
crowd/extrastablevehiclewindow
WITH: ANTHONY · JIMMY · MARCO · RILEY · STEVE
SCENES: 11
1BARDSTOWN ROAD - ALLEY
exitphone
WITH: ALEX · JIMMY
SCENES: 18
1STEVE'S RENTAL PROPERTY - EARLY MORNING
bardoorphonetableweapon ⚑
WITH: ALEX · ANTHONY · JIMMY · MARCO · RILEY · STEVE
SCENES: 20
1CATERING VAN - PARKED - EARLY MORNING
doorvehicle
WITH: ALEX
SCENES: 21
1O'SHEA'S PUB - HIGHLANDS COURTYARD
phonetable
SCENES: 34
1BELLE OF LOUISVILLE - OHIO RIVER
no flags
SCENES: 35
1BELLE OF LOUISVILLE - LOWER DECK
entrancetable
WITH: ALEX · JIMMY
SCENES: 36
1BELLE OF LOUISVILLE - UPPER DECK
bar
WITH: ALEX · ANTHONY · JIMMY
SCENES: 37
1RIVERFRONT
phone
SCENES: 38
1STEVE'S RENTAL PROPERTY - ANOTHER DAY
no flags
WITH: ALEX · ANTHONY · JIMMY · MARCO · STEVE · TEDDY
SCENES: 42
1BOWMAN FIELD - GREAT BALLOON GLOW
crowd/extrasphone
WITH: BALLOON OPERATOR · IRELAND · JIMMY · RILEY · SHAMUS
SCENES: 43
1EMS STATION - VEHICLE BAY - EARLY MORNING
no flags
SCENES: 44
1CHURCHILL DOWNS - SERVICE CORRIDOR
doorexitphone
WITH: ALEX · ANTHONY · SECURITY GUARD
SCENES: 45
1STEVE'S RENTAL PROPERTY - ROOF
phone
WITH: ABUELA · MARCO
SCENES: 47
1JORDAN'S BOUTIQUE
doorphone
WITH: ALLISON · JORDAN · RILEY
SCENES: 48
1BARNSTABLE BROWN MANSION - BAR AREA
barcrowd/extras
WITH: ALEX · JIMMY · MORRISON
SCENES: 52
1BARNSTABLE BROWN MANSION - HALLWAY
crowd/extrasexit
WITH: GARRETT · JIMMY · STEVE
SCENES: 53
1BARNSTABLE BROWN MANSION - VIP SECTION
crowd/extras
WITH: JACK WILDER · MAN · RILEY · WOMAN
SCENES: 55
1BARNSTABLE BROWN MANSION - PARTY
no flags
WITH: JACK WILDER · JIMMY · RILEY
SCENES: 56
1BARNSTABLE BROWN MANSION - BAR
barcrowd/extrasphone
WITH: GARRETT · JIMMY
SCENES: 57
1EMS STATION - LATE EVENING
window
WITH: ANTHONY · LATOYA
SCENES: 58
1VARIOUS LOCATIONS
phonewindow
WITH: FADE TO BLACK.
SCENES: 59
1JIMMY'S CAR - DERBY MORNING
no flags
WITH: JIMMY · STEVE
SCENES: 60
1CHURCHILL DOWNS
weather fx
SCENES: 61
1/INT. CHURCHILL DOWNS - VARIOUS - AFTERNOON
no flags
WITH: ANTHONY · TRACK ANNOUNCER
SCENES: 62
1CHURCHILL DOWNS - INFIELD TUNNEL ENTRANCE - AFTERNOON
no flags
WITH: TEDDY
SCENES: 63
1CHURCHILL DOWNS - BACKSIDE GATE - AFTERNOON
no flags
SCENES: 64
1CHURCHILL DOWNS - STAFF ENTRANCE - AFTERNOON
no flags
WITH: STEVE
SCENES: 65
1CHURCHILL DOWNS - JACK WILDER'S BOX - AFTERNOON
crowd/extrasdoorstairs
SCENES: 66
1CHURCHILL DOWNS - JACK WILDER'S BOX
exitphone
WITH: ALEX · ANTHONY · JACK WILDER · JIMMY · RILEY · SOCIETY WOMAN
SCENES: 67
1CHURCHILL DOWNS - TRACK LEVEL - LATE AFTERNOON
no flags
SCENES: 68
1CHURCHILL DOWNS - GRANDSTAND CONCOURSE
window
WITH: ASHFORD · JIMMY
SCENES: 69
1CHURCHILL DOWNS - SERVICE CORRIDOR - AFTERNOON
door
WITH: ALEX · ANTHONY
SCENES: 71
1CHURCHILL DOWNS - RESTROOM
barexit
WITH: ALEX · ANTHONY · BARTENDER · JIMMY · MARCO · RILEY
SCENES: 73
1CHURCHILL DOWNS - STARTING GATE
crowd/extrasentrance
WITH: ALEX · MARCO · STEVE · TRACK ANNOUNCER
SCENES: 74
1CHURCHILL DOWNS - TRACK - FIRST TURN
no flags
WITH: TRACK ANNOUNCER
SCENES: 75
1CHURCHILL DOWNS - TRACK - BACKSTRETCH
no flags
WITH: TRACK ANNOUNCER
SCENES: 77
1CHURCHILL DOWNS - MORRISON'S OFFICE
crowd/extrasdoor
SCENES: 78
1CHURCHILL DOWNS - SERVICE CORRIDOR (LOWER LEVEL) -
no flags
WITH: ALEX · ANTHONY
SCENES: 79
1CHURCHILL DOWNS - TRACK - FAR TURN
no flags
WITH: TRACK ANNOUNCER
SCENES: 80
1CHURCHILL DOWNS - VAULT CORRIDOR
door
SCENES: 81
1CHURCHILL DOWNS - TRACK - BACKSTRETCH (LATE)
crowd/extras
WITH: TRACK ANNOUNCER
SCENES: 84
1CHURCHILL DOWNS - TRACK - TOP OF STRETCH
no flags
WITH: TRACK ANNOUNCER
SCENES: 87
1CHURCHILL DOWNS - TRACK - HOMESTRETCH
no flags
WITH: TRACK ANNOUNCER
SCENES: 91
1CHURCHILL DOWNS - TRACK - FINISH LINE
crowd/extras
WITH: TRACK ANNOUNCER
SCENES: 93
1CHURCHILL DOWNS - HORSE STALL
no flags
WITH: SECURITY GUARD
SCENES: 95
1CHURCHILL DOWNS - MEDICAL STAGING
doorexit
WITH: ANTHONY · SWAT LEADER
SCENES: 97
1TELEVISION STUDIO
no flags
WITH: ANNOUNCER 1 · ANNOUNCER 2
SCENES: 100
1JIMMY'S EX-WIFE'S HOME
no flags
SCENES: 101
1CHURCHILL DOWNS - SERVICE ROAD
no flags
SCENES: 103
1LOUISVILLE METRO CORRECTIONS - HOLDING AREA
weapon ⚑
WITH: STEVE
SCENES: 107
1CHURCHILL DOWNS - SECURITY OFFICE
archival — no location build
WITH: DETECTIVE · FADE TO BLACK. · MORRISON
SCENES: 110
1COURTROOM
no flags
WITH: PROSECUTOR · STEVE · STEVE'S LAWYER
SCENES: 111
1RACETRACK
no flags
SCENES: 112
1CHURCHILL DOWNS - EMPLOYEE ENTRANCE
no flags
WITH: JACK WILDER · MORRISON
SCENES: 113
1OFFICE - NULU
phonewindow
WITH: JACK WILDER · RILEY
SCENES: 115
1UNIVERSITY OF LOUISVILLE - DORM BUILDING
stairs
WITH: IRELAND · JIMMY · SHAMUS
SCENES: 116
1LOUISVILLE SKYLINE
phonevehicle
WITH: JACK WILDER
SCENES: 118
1THE HITCHING POST - LOUISVILLE
barphone
WITH: STEVE
SCENES: 119

All 119 scenes

1EXT. CHURCHILL DOWNS - ARCHIVAL FOOTAGE - VARIOUS YEARS archival — no location build
2EXT. LOUISVILLE, KENTUCKY - DERBY FESTIVAL - VARIOUS DAYS montagewindowvehicle
3EXT. CHURCHILL DOWNS - RACE DAY - ARCHIVAL FOOTAGE archival — no location buildwindow
4INT. JIMMY'S APARTMENT - MORNING MORNINGexittable
5INT. APARTMENT BUILDING - HALLWAY - CONTINUOUS CONTINUOUSdoor
6EXT. VOLARE RESTAURANT - DAY DAYphone
7INT. VOLARE RESTAURANT - DAY DAYbartablephone
8EXT. VOLARE RESTAURANT - PARKING LOT - LATER LATERvehicle
9INT. THE HITCHING POST - DAY DAYentrancewindowbar
10EXT. BARDSTOWN ROAD - CONTINUOUS CONTINUOUSwindowvehicle
11EXT. CHOW WAGON - NIGHT NIGHTwindowtablevehiclecrowd/extras
12INT. JIMMY'S APARTMENT - NIGHT NIGHT
13INT. JIMMY'S APARTMENT - MORNING MORNING
14INT. JIMMY'S CAR - MORNING MORNING
15INT. STEVE'S RENTAL PROPERTY - DAY DAYentrancedoortable
16EXT. LOUISVILLE BANK AND TRUST CO. - BARDSTOWN ROAD - DAY DAYwindow
17EXT. LOUISVILLE BANK AND TRUST CO. - BARDSTOWN ROAD - DAY DAYvehiclephone
18EXT. BARDSTOWN ROAD - ALLEY - LATER THAT DAY LATERexitphone
19EXT. LOUISVILLE BANK AND TRUST CO. - BARDSTOWN ROAD - DAY DAYvehicle
20INT. STEVE'S RENTAL PROPERTY - EARLY MORNING doorbartablephoneweapon ⚑
21INT. CATERING VAN - PARKED - EARLY MORNING doorvehicle
22EXT. LOUISVILLE BANK AND TRUST CO. - BARDSTOWN ROAD - DAY DAYexit
23INT. CATERING VAN - CONTINUOUS CONTINUOUSdoor
24INT. JIMMY'S CAR - CONTINUOUS CONTINUOUS
25EXT. BARDSTOWN ROAD - CONTINUOUS CONTINUOUSvehiclephonecrowd/extras
26EXT. LOUISVILLE BANK AND TRUST CO. - CONTINUOUS CONTINUOUSdoorvehiclecrowd/extras
27INT. LOUISVILLE BANK AND TRUST CO. - CONTINUOUS CONTINUOUSwindow
28INT. CATERING VAN - CONTINUOUS CONTINUOUS
29EXT. BARDSTOWN ROAD - CONTINUOUS CONTINUOUS
30INT. LOUISVILLE BANK AND TRUST CO. - CONTINUOUS CONTINUOUSdoor
31EXT. BARDSTOWN ROAD - CONTINUOUS CONTINUOUSdoorvehicle
32INT. CATERING VAN - CONTINUOUS CONTINUOUSdoorvehicle
33INT. JIMMY'S CAR - CONTINUOUS CONTINUOUSexitdoorvehiclephonesightline
34EXT. O'SHEA'S PUB - HIGHLANDS COURTYARD - NIGHT NIGHTtablephone
35EXT. BELLE OF LOUISVILLE - OHIO RIVER - DAY DAY
36INT. BELLE OF LOUISVILLE - LOWER DECK - DAY DAYentrancetable
37EXT. BELLE OF LOUISVILLE - UPPER DECK - DAY DAYbar
38EXT. RIVERFRONT - DUSK DUSKphone
39INT. STEVE'S RENTAL PROPERTY - NIGHT NIGHTentrancedoortablevehicle
40INT. STEVE'S RENTAL PROPERTY - DAY DAYdoorcrowd/extras
41INT. STEVE'S RENTAL PROPERTY - LATER LATER
42INT. STEVE'S RENTAL PROPERTY - ANOTHER DAY
43EXT. BOWMAN FIELD - GREAT BALLOON GLOW - EVENING EVENINGphonecrowd/extras
44EXT. EMS STATION - VEHICLE BAY - EARLY MORNING
45INT. CHURCHILL DOWNS - SERVICE CORRIDOR - DAY DAYexitdoorphone
46INT. STEVE'S RENTAL PROPERTY - NIGHT NIGHTexitdoorphonecrowd/extras
47EXT. STEVE'S RENTAL PROPERTY - ROOF - NIGHT NIGHTphone
48INT. JORDAN'S BOUTIQUE - NIGHT NIGHTdoorphone
49EXT. BARNSTABLE BROWN MANSION - NIGHT NIGHTentrancedoorvehicle
50INT. BARNSTABLE BROWN MANSION - CONTINUOUS CONTINUOUSbartablecrowd/extras
51INT. BARNSTABLE BROWN MANSION - MAIN ROOM - LATER LATERbarcrowd/extras
52INT. BARNSTABLE BROWN MANSION - BAR AREA - LATER LATERbarcrowd/extras
53INT. BARNSTABLE BROWN MANSION - HALLWAY - LATER LATERexitcrowd/extras
54INT. BARNSTABLE BROWN MANSION - MAIN ROOM - LATER LATERdoorcrowd/extras
55INT. BARNSTABLE BROWN MANSION - VIP SECTION - LATER LATERcrowd/extras
56INT. BARNSTABLE BROWN MANSION - PARTY - CONTINUOUS CONTINUOUS
57INT. BARNSTABLE BROWN MANSION - BAR - LATER LATERbarphonecrowd/extras
58INT. EMS STATION - LATE EVENING window
59INT./EXT. VARIOUS LOCATIONS - NIGHT NIGHTwindowphone
60INT. JIMMY'S CAR - DERBY MORNING
61EXT. CHURCHILL DOWNS - DAWN DAWNweather fx
62EXT./INT. CHURCHILL DOWNS - VARIOUS - AFTERNOON
63EXT. CHURCHILL DOWNS - INFIELD TUNNEL ENTRANCE - AFTERNOON
64EXT. CHURCHILL DOWNS - BACKSIDE GATE - AFTERNOON
65EXT. CHURCHILL DOWNS - STAFF ENTRANCE - AFTERNOON
66INT. CHURCHILL DOWNS - JACK WILDER'S BOX - AFTERNOON doorstairscrowd/extras
67INT. CHURCHILL DOWNS - JACK WILDER'S BOX - LATER LATERexitphone
68EXT. CHURCHILL DOWNS - TRACK LEVEL - LATE AFTERNOON
69INT. CHURCHILL DOWNS - GRANDSTAND CONCOURSE - CONTINUOUS CONTINUOUSwindow
70EXT. CHURCHILL DOWNS - INFIELD - CONTINUOUS CONTINUOUScrowd/extras
71INT. CHURCHILL DOWNS - SERVICE CORRIDOR - AFTERNOON door
72INT. CHURCHILL DOWNS - MILLIONAIRE'S ROW - CONTINUOUS CONTINUOUS
73INT. CHURCHILL DOWNS - RESTROOM - CONTINUOUS CONTINUOUSexitbar
74EXT. CHURCHILL DOWNS - STARTING GATE - CONTINUOUS CONTINUOUSentrancecrowd/extras
75EXT. CHURCHILL DOWNS - TRACK - FIRST TURN
76INT. CHURCHILL DOWNS - LOWER LEVEL - CONTINUOUS CONTINUOUSexitdoorwindowtablecrowd/extras
77EXT. CHURCHILL DOWNS - TRACK - BACKSTRETCH
78INT. CHURCHILL DOWNS - MORRISON'S OFFICE - CONTINUOUS CONTINUOUSdoorcrowd/extras
79INT. CHURCHILL DOWNS - SERVICE CORRIDOR (LOWER LEVEL) -
80EXT. CHURCHILL DOWNS - TRACK - FAR TURN
81INT. CHURCHILL DOWNS - VAULT CORRIDOR - CONTINUOUS CONTINUOUSdoor
82INT. CHURCHILL DOWNS - VAULT - CONTINUOUS CONTINUOUStablevehicle
83INT. CHURCHILL DOWNS - SECURITY STATION - CONTINUOUS CONTINUOUS
84EXT. CHURCHILL DOWNS - TRACK - BACKSTRETCH (LATE) crowd/extras
85INT. CHURCHILL DOWNS - VAULT - CONTINUOUS CONTINUOUSdoor
86INT. CHURCHILL DOWNS - HORSE TUNNEL ENTRANCE - CONTINUOUS CONTINUOUS
87EXT. CHURCHILL DOWNS - TRACK - TOP OF STRETCH
88INT. CHURCHILL DOWNS - SECURITY STATION - CONTINUOUS CONTINUOUS
89INT. CHURCHILL DOWNS - HORSE TUNNEL ENTRANCE - CONTINUOUS CONTINUOUSstairs
90INT. CHURCHILL DOWNS - LOWER LEVEL - CONTINUOUS CONTINUOUS
91EXT. CHURCHILL DOWNS - TRACK - HOMESTRETCH
92INT. CHURCHILL DOWNS - LOWER LEVEL CORRIDOR - CONTINUOUS CONTINUOUS
93EXT. CHURCHILL DOWNS - TRACK - FINISH LINE crowd/extras
94EXT. CHURCHILL DOWNS - INFIELD - CONTINUOUS CONTINUOUScrowd/extras
95INT. CHURCHILL DOWNS - HORSE STALL - LATER LATER
96INT. CHURCHILL DOWNS - LOWER LEVEL CORRIDOR - CONTINUOUS CONTINUOUS
97EXT. CHURCHILL DOWNS - MEDICAL STAGING - LATER LATERexitdoor
98INT. CHURCHILL DOWNS - SECURITY STATION - CONTINUOUS CONTINUOUS
99INT. CHURCHILL DOWNS - LOWER LEVEL CORRIDOR - CONTINUOUS CONTINUOUS
100INT. TELEVISION STUDIO - CONTINUOUS CONTINUOUS
101INT. JIMMY'S EX-WIFE'S HOME - CONTINUOUS CONTINUOUS
102INT. CHURCHILL DOWNS - LOWER LEVEL CORRIDOR - CONTINUOUS CONTINUOUS
103EXT. CHURCHILL DOWNS - SERVICE ROAD - CONTINUOUS CONTINUOUS
104INT. CHURCHILL DOWNS - MILLIONAIRE'S ROW - LATER LATERexitdoortable
105EXT. THE HITCHING POST - EVENING EVENING
106INT. THE HITCHING POST - EVENING EVENING
107INT. LOUISVILLE METRO CORRECTIONS - HOLDING AREA - EVENING EVENINGweapon ⚑
108INT. THE HITCHING POST - EVENING EVENINGdoorphone
109EXT. THE HITCHING POST - CONTINUOUS CONTINUOUSentranceexitphone
110INT. CHURCHILL DOWNS - SECURITY OFFICE - NIGHT NIGHTarchival — no location build
111INT. COURTROOM - DAY DAY
112EXT. RACETRACK - DAWN DAWN
113EXT. CHURCHILL DOWNS - EMPLOYEE ENTRANCE - DAY DAY
114EXT. CHURCHILL DOWNS - INFIELD - DAY (ONE YEAR LATER) DAY
115INT. OFFICE - NULU - DAY DAYwindowphone
116EXT. UNIVERSITY OF LOUISVILLE - DORM BUILDING - DAY DAYstairs
117INT. VOLARE RESTAURANT - NIGHT NIGHTwindowtablephone
118EXT. LOUISVILLE SKYLINE - DAY DAYvehiclephone
119INT. THE HITCHING POST - LOUISVILLE - NIGHT NIGHTbarphone

Vision boards — The Hitching Post

Concept frames, not photography: the tool renders a target image for a scene from its own breakdown data — location, time of day, who's in the room, what the scene needs. The director carries these into the real location and frames against them. This location serves six scenes, including the last shot of the film.

Concept frame: four men at a daylight bar, boxing glove on the bar top
SC 9 · INT — DAY · needs entrance, window, bar
Concept frame: four friends clustered at the bar corner at dusk under neon
SC 106 · INT — EVENING · Riley, Alex, Jimmy, Kevin
Concept frame: one man alone at a closed bar with his phone — the film's final image
SC 119 · INT — NIGHT · the final shot of the film